This is a really nice feature that allows for a powerful amount of editing shots in post. Using these maps, it is then possible to treat the images as if they were in 3D and add lights into the scene. I want to just make a super brief mention of Resolve’s new Relight plugin which analyses your images and creates associated normal maps. The integration of more 3D and VFX tools is a great move in the right direction but users will still find better and more extensive tools in Adobe Effects. The USD tools are still relatively rudimentary and the in-the-box Storm GPU renderer is not as good as other renderers on the market. This attention to collaboration is what really interests me because it breaks down a lot of the barriers that exist when I want to work with others. USD files contain geometry, lighting, cameras, materials, and animation effectively allowing a high level of collaboration between disciples, artists, editors and anyone else in a project’s creative pipeline. In my own experience, I’ve always preferred to create my 3D scenes with dedicated software but with the tools advancing in NLEs I wonder if this will continue to be the case.ĭaVinci Resolve has now adopted the Universal Scene Descriptor (USD) framework which is an open standard that is being increasingly recognised across the 3D industry. I remember the first time I came across Video Copilot’s Element 3D plugin for After Effects which enabled the integration of 3D graphics into a traditional video editing workflow. With a degree and subsequent career in the area of 3D visualisation, I’ve been keeping a keen eye on the move of Non-Linear Editors (NLE) adopting 3D technology and workflows. While I was still trying to use traditional ways of sorting clips and at the same time taking advantage of the new tools I found that I was caught in a halfway house that slowed me down, and held me back. I found that only when I embraced this type of editing workflow did I appreciate all its benefits and truly benefit from it. I also really liked the ability to search for terms across multiple clips, something that has really helped to collate similar content across multiple takes. No more scrubbing through clips, going back and forth, painfully trying to find an exact phrase or section. As long as they can read, they can create an edit.Īlongside that, users can jump to different points of the video by selecting parts of the text. One application for this feature is that initial edits can be carried out by someone who has absolutely no experience of a video editor. Amazing! I was able to create an entire initial edit of a video without ever looking at the video itself. Once the audio has been transcribed, users can carry out a range of clip-related functions, such as creating sub-clips by selecting parts of the output text. If you buy the Speed Editor, you get a copy of DaVinci Resolve included (Image credit: Future)įor me, this is where the technology becomes particularly powerful and transformative for my editing process. Users who upload their videos to social media and have previously manually added subtitles will benefit from this feature, saving huge amounts of time, energy and effort. It can therefore definitely be relied upon but casting an eye over it before export is necessary. On the whole, I found this feature to be very accurate with only very rare mistakes entering in. These can then be modified, adjusted and changed if Resolve has got anything wrong. These are placed on the subtitle track and include the insertion of punctuation and grammar. In essence, this feature analyses a clip’s audio track and then automatically generates subtitles from it. This capability has been a part of Premiere Pro for a couple of years so it’s great to see it making it into Resolve. This feature is a game changer, not only for adding subtitles to footage, but also for the general editing process. Let’s take a look at some of the features that stood out to me and will definitely be making it into my own workflow. Some of these represent an initial step to providing AI tools that make DaVinci Resolve more powerful than it’s ever been as well as support for 3D tools. Version 18.5 includes a range of improvements and some really exciting and super userful new features.
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